Its fun painting with colors, but using values in painting is what makes successful paintings.
Values are the backbone of strong, attractive paintings!
We can use any colors in our paintings, but values create the structure and backbone of our paintings.
We use values in a variety of ways. Value contrast is what separates objects, shows texture and creates aerial perspective or the form of objects.
We don't have to use all nine values in each painting. But make sure there is a contrast in values. That is what makes the painting attractive and readable.
Good composition says to vary the size of the elements in our paintings. Repetition is boring, so make each part of the painting a different size and a different value.
They would look very flat. Without a difference between lights and darks, we could not see any of the forms in a painting.
We learn to see the lights and darks in our subjects by squinting our eyes and then look. All the
details will disappear and we see the light and dark tones.
Ladies don't need any squint lines, so we just lower our eyelids, instead of squinting.
Squint and look at the left image. Do you see the lights and darks? You may see it better in the gray-scale image at the right.
Lower your eyelids and look at the things around your room. Notice the light and darkness of different things in your room. Train your eyes to see the light and dark of the things around you.
Look when you are going down the road - as a passenger of course. Things will suddenly become more alive as you.
Duplicate what we see into the values in our paintings. It is lots of fun.
In nature things get lighter in the distance. This is called aerial perspective.
Particles in the air reflect light, thus making the distant objects appear lighter. On a very clear day you can see farther because there are fewer particles in the air.
In the painting above aerial perspective is doing its job. The mountains in the background appear much lighter than the foreground landscape.
Artists can duplicate aerial perspective by adjusting the values. The values get lighter in the distance.
We adjust the light and dark values from the front to the back of our paintings. Aerial perspective also causes colors to get cooler in the distance, more blue with less yellow.
Different colors reflect or absorb more or less light. Yellow reflects more light than any other color. The light bounces back off the color into our eyes. This makes yellow look lighter to us.
Purple or violet is the darkest color. It adsorbs most of the light rays. Very little light bounces back to our eyes. So purple looks very dark to us.
There is no rule that says a person has to paint something its actual natural color. A painting will work if we use light against dark values.
Dolphins in nature are actually gray. Plain old gray is boring to me. I painted these dolphins pink and purple instead.
The values are what made the painting work, regardless or what colors were used.
The strong contrast of lights and darks will automatically draw the eye to the area.
As much as I love color, a painting must have good contrast and a variety of values to be successful.
The high contrast between the bright, light wall of the back barn and the dark doorway draws in the viewers.
The contrast of the values in painting, saturated colors, soft and hard edges plus detail are all tools the artist can use to draw the viewer's eyes into the focal area.